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Nom : Steve Vahey - Sony M1 Dat + Okm2r Mics
Tour : Elevation Tour
Leg : Leg 1 - Amérique Du Nord
Date : 25.05.2001
Pays : Canada
Ville : Toronto
Lieu : Air Canada Center
Type : Audio
Support : CD-R
Taper : Steve Vahey
Matériel : Soundman OKMIIR Mics > A3 Adapter (Bass Roll-Off OFF; No Linear Attenuation) > Sony PCM-M1 DAT (Line-In; Manual Recording Level Set to 6.5; 48kHz) > DAT Master (48kHz, 16 bit, stereo)
Performance : Live
Source : Audience
Intégralité : Complet
Setlist
Disque 1 (0:58:13)
1. Trippy Elevation (pa) / Elevation
2. Beautiful Day
3. Until The End Of The World
4. Mysterious Ways
5. Stuck In A Moment You Can't Get Out Of
6. Kite
7. Gone
8. New York
9. Out Of Control
10. Sunday Bloody Sunday
11. Sweetest Thing
Disque 2 (0:56:44)
1. Band Introduction
2. Desire
3. Stay ( Faraway, So Close ! )
4. All I Want Is You
5. Where The Streets Have No Name
6. Pride (in The Name Of Love)
7. Bullet The Blue Sky
8. With Or Without You
9. One / Unchained Melody
10. Walk On
Contenu des disques
CD 1 & 2 : Toronto - May 25th, 2001

Taper's location : Section 117, Row 14, Seat 4 [side of stage on Adams side]

Taper's comments :
PA was hanging right over head so pretty good sound on this. The mids and vocals were a little bit low in the mix.

Cool Edit 2000 wav edit @32 bit:

- software resampling to convert from 48kHz to 44.1kHz at highest accuracy (999) with pre/post filter
- Normalized levels, balanced left-to-right channels.
- Added Fade In/Out on each disc.


This show is a bit shorter than the usual Elevation show, I assume because U2 had to be at Much Music studio for a 1 hour interview after the show.


Soundman OKMIIR Mics
-> A3 Adapter (Bass Roll-Off OFF; No Linear Attenuation)
-> Sony PCM-M1 DAT (Line-In; Manual Recording Level Set to 6.5; 48kHz)
-> DAT Master (48kHz, 16 bit, stereo)
-> Sony PCM-M1 + Oade Digital Coax Cable + DataLink IDL-100 Hi-Res Digital Coax Monster Cable
-> Midiman Audiophile 2496 (SPDIF-In Clock Sync)
-> CE 2k WAV Edit @32 bit resolution (see below)
-> CD WAVE Editor Track Split
-> WAV
Revue
AchtungBootlegs.com (achtungpop) / 31.10.2005
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