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Informations générales :
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Nom : Jems - Nakamichi 300 Cardioids (busman Mod) + Edirol R-09hr (24/96)
Tour : U2360° Tour
Leg : Leg 2 - Amérique Du Nord
Date : 23.09.2009
Pays : USA
Ville : East Rutherford
Lieu : Giants Stadium
Type : Audio
Support : CD-R
Taper : JEMS
Matériel : Nakamichi 300 cardioids (Busman mod) > Naiant custom battery box and cables > Edirol R-09HR (24/96) > Peak 6.1 (downsample to 16/44.1) > FLAC
Performance : Live
Source : Audience
Intégralité : Complet


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Setlist :
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Disque 1 
1. Intro
2. Breathe
3. Magnificent 
4. Get On Your Boots
5. Mysterious Ways
6. I Still Haven't Found What I'm Looking For 
7. S)he's The One / Desire Medley 
8. Elevation
9. Your Blue Room 
10. Beautiful Day / Don't Stop 'til You Get Enough (snippet)
11. No Line On The Horizon 
12. New Year's Day 
13. Stuck In A Moment 
14. The Unforgettable Fire
15. Mofo (snippet) / City Of Blinding Lights 
16. Vertigo

Disque 2 
1. I'll Go Crazy If I Don't Go Crazy Tonight (remix)
2. Sunday Bloody Sunday 
3. M L K
4. Walk On / You'll Never Walk Alone (snippet) 
5. One / Amazing Grace (snippet)
6. Where The Streets Have No Name / All You Need Is Love (snippet) 
7. Ultra Violet (light My Way)
8. With Or Without You 
9. Moment Of Surrender


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Contenu des disques
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East Rutherford (NJ) - September 23, 2009.



Taper notes :  JEMS' first night on the 360 tour was a fine one indeed. I was joined by Brother JP (he of San Francisco 12/15/84 fame), a perfect taper companion (and not one to shy away from a little pat-down search), and we got something better than a standard night one set, with true one-off to celebrate Bruce Springsteen's 60th birthday, "Your Blue Room" and some set list rearranging. 

This was also the first time I matched our newly modified Nakamichi 300 kit with the Edirol in a stealth situation and I am pleased with the results. We had decent seats for taping vis a vis proximity to the PA and the crowd around us was relatively quiet (the cardioid caps help, too). The only issue with the recording was one I could not avoid: while the mics had wind screens, the wind in the stadium blew the high end around a bit on a very directional PA. The result on the recording is occasions where the high end seems to soften or swirl a touch. Samples provided below in the comments. 

I did record the second night but missed a chunk in the middle (never forget to delete last night's files off the flash drive before you go into the stadium!). And it appears we have a stellar document of that one already. 


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Revue :
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AchtungBootlegs.com / 30.09.2009