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Informations générales :
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Nom : Matrix ( Bono's And The Edge's Earpiece + Audience)
Tour : Elevation Tour
Leg : Leg 1 - Amérique Du Nord
Date : 12.06.2001
Pays : USA 
Ville : Philadelphia
Lieu : First Union Center 
Type : Audio
Support : CD-R
Taper : Coles Dad / Unknow
Matériel : Dual Scan (Bono and Edge) > DAT Clone at 32khz from master > CEPRO > Matrix / Audience CD clone > EAC > CEPRO => Mixed in Cool Edit Pro
Performance : Live
Source : Mixte
Intégralité : Complet


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Setlist :
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Disque 1 
1. Introduction
2. Trippy Mix
3. Elevation
4. Beautiful Day
5. Until The End Of The World 
6. New Year's Day
7. Kite
8. New York
9. I Will Follow
10. Sunday Bloody Sunday 
11. Stuck In A Moment 
12. In A Little While 
13. Ground Beneath Her Feet 
14. Desire

Disque 2 
1. All I Want Is You 
2. Where The Streets Have No Name 
3. Mysterious Ways 
4. The Fly
5. Bulelt The Blue Sky Introduction
6. Bulelt The Blue Sky 
7. With Or Without You 
8. One Introduction
9. One
10. Walk On 


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Contenu des disques
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CD 1 & 2: Philadelphia (PA) - June 12, 2001.

Olivierbayerl comments: This matrix I feel leans a bit more toward the "scanny" side of things, which some of you seem to enjoy. I remember I mixed this one and the night before kind of in opposite ways as I purposely tried not to make all these things sound the same. If i put it on a scale of 1-10 where 1 was almost all audience and 10 was almost all scan, this would be about a 7.5 or so. That being said, it sounds nice, just might want to dial in a little bass and there you go.
A little more clarfification for the noobs : a dual scan is when you have two rigs, and we recieved the FM broadcast of Bono and Edge seperately so they could be mixed down later. This way you dont get Edge blasting you on his vocals, or Just bono rocketing through, we could cross mix them to get them quite balanced. As many know, on Elevation tour Adam rarely used IEMS, so his channel went in and out if it was on at all so we stopped messing with it as it was a waste. Even when it was on The drums were to loud relatively in the mix compared to the bass so if you had the bass right the drums were to loud, or if the drums were right the bass just wasnt that loud. We normally just went with a dual bono and Edge and tried to roll the bass in from the audience the best we could.


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Revue :
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AchtungBootlegs.com / 15.12.2008